Saturday, January 29, 2011


Display piece for revolutionary athletic eyewear, The Rudy Project.

Today's challenge was to illustrate some aspect of communication. I chose to show visual communication in my own vague little way. Mostly, I just really loved this piece. It was nice to see something so different at an EyeMart.

EDIT: I forgot to mention that I learned how to make Image Overlays in-camera and use that method to brighten up underexposed photos! Also, I HAVE FINISHED READING MY MANUAL. Woooohoooo! *happydance*

At Long Last

My grandmother has finally allowed me to take her portrait!

The challenge was supposed to be red, and she is actually wearing all red, but I liked this portrait so much better in black and white. The red distracts from her beautiful face. <3

Well, I'm pooped. Goodnight, y'all! :D

Friday, January 28, 2011


To be perfectly honest, I took this photo a few days ago, but never really got around to editing it. It wasn't until I came across this wonderful action that I knew what kind of look I wanted. Now the photograph is just how I feel today: Worn.

Class went great. I focused my attention on learning the things I needed most immediately, so I didn't get very many prints, but the few that I actually DID finish were "perfect" according to the professor. At least technically, anyway.

However, I have no photos to show for today until next week because every picture I took was with the SLRs. Lessons learned:

1.  Always wear two pairs of gloves when shooting outdoors with SLRs in the winter.
2.  Do not wear a cap in a darkroom.
3.  Always make sure that you have at least 1 frame left out of 24 GB worth of memory cards.
4.  Enjoy every minute of your learning experiences.

Wednesday, January 26, 2011


Not sure why, but every time I walk into this classroom and see this, I feel some strange aesthetic attraction to  those particular seats. They're always positioned just like that, as if no one touches them all day long. They're always slightly off-kilter and yet so perfect.

I may add some prints later if I'm awake long enough to scan some. :) If not, tomorrow will be the day!

By the way, GUESS WHO GOT A NEW NIKON FILM CAM WITH LOTS OF LENSES! *squeal* I'm so blessed. All smiles today!

Ye of Little Faith

Did you really think I'd forget you guys?! :) I just spent a long 7 hours trying to uncover the items I've been hoarding for most of my life, dragging them from house to house in innumerable containers as if losing just one thing would mean death.

Or something slightly less dramatic.

Thought I'd just confuse the mess out of you all before I finally hit the hay. Today, I felt like trying some more abstraction, so here it is. Hope you get a kick out of it! It kind of looks like a bunch of floating boxes to me. Or maybe that's what they are. HMMmmm.

Meh, goodnight!

Tuesday, January 25, 2011

Post-Exam Blues

And pinks. And yellows. And pretty much any color that popped up when I pushed a random filter and called it a night.

I sincerely apologize for today's awful photographs, but I've been either studying my behind off or taking photos all day long, and these are the only two even SOMEWHAT decent digital photos I've taken, however boring they may be. Perhaps spending tomorrow in the darkroom will make me feel better. Tonight's exam was Hell.

Anyway... here are today's photos. Goodnight!

Sunday, January 23, 2011


That's right. Today's photo is coming to you straight out of the camera [finally]. Not the slightest bit of editing with the exception of making it smaller and adding my stamp. I'm rather proud of it, but only BECAUSE I haven't edited it... even if editing is kind of my favorite part. lol

Challenge: Make a photo of the most beautiful thing you see today. Subject: My mother's ring.

What do you think? Should I have edited it, or is it better off the way it is? I'd love to hear your opinions, especially since I'm considering trying to recreate this photo on my Minolta for class. :-)

Portrait Processing Tutorial

A couple of days ago, 400wcn suggested that I make a tutorial for my post-processing of portraits. I liked that idea, so I'm going to show you how to take a drab, flat portrait and give it a little more oomph! It works in color photos as well.

This tutorial is separated into four sections in case it's getting a little too long for you or you have a different way of going about things. The sections are Skin Smoothing, Glowy/Contrasty Look, Editing Lighting, and Eyes. Click on links if you need to know where the tools or options are.


Ctrl+J to duplicate the Background Layer.

Use the Healing Brush to rid your subject's face of any blemishes or other glaring imperfections.

Ctrl+J again.

Filter -> Blur -> Gaussian Blur.  I used 8.2. It's okay to be heavy-handed. You can always reduce the opacity of the blurred layer until you like how the skin looks.

Layer -> Layer Mask -> Reveal All. Or just click on the gray square icon with the white circle in it on the Layers panel.

Using a soft, round brush on Normal mode, paint black over the areas of the skin you'd like to soften. Be careful not to brush over the nostrils, lashes and whites of eyes, or edges of the lips. If you do, paint back over them with a soft, round white brush. You'll see everywhere you painted getting sharper, so once you're finished, Ctrl+I to invert the layer mask. Now only the areas you WANT blurred will be so. After you've inverted that layer mask, you'll paint white over any additional areas you want to be blurred.

This should be a fairly subtle change. My subject's skin was already smooth, so the change is almost invisible. Try for realistic-looking smoothness.


Ctrl+Alt+Shift+N  and  Ctrl+Alt+Shift+E to create a new layer and make a copy of everything underneath it. This is called a stamp. Do this twice, but turn off the top layer.

Double-click the first stamp. A screen called Layer Style should pop up. Under Blend Mode, click the drop-down menu and choose Screen. Lower the Fill Opacity until the subject's skin is brighter but not completely without details such as highlights and shadows. The portrait should seem to glow some.

Once you've clicked OK, turn on and double-click the top layer. Set it to Soft Light and lower the Fill Opacity until you like the contrast. I usually stop somewhere around 50. It's looking better already!

Now, create a new stamp layer and add a subtle vignette whatever way you choose to do it. Don't go overboard! There's still something else to do that will slightly darken the edges of the photo too. I just used a huge soft, round brush and Burned.

Make a stamp OR duplicate the top layer. (I know, it's tedious, but it saves you from a lot of trouble if you realize you didn't like a step and want to go back.) Now we are going to play with the lighting a little.

Filter -> Render -> Lighting Effects. Choose which Light Type you want. I usually use Omni, but the default is Spotlight. Move the circle in the preview around until the brightest spot is where you'd like the most highlights in the photograph. Widen or thin the circle to your preference. Everything outside of the circle will be darkened.

Move the Intensity down to somewhere between 10-14 usually. If Focus is an option, narrow it until it's just highlighting your subject (unless you feel like getting creative). Gloss should be Matte or at least close to Matte (-100), Material should be Metallic (100), and Ambience should be somewhere between 10-30. I'm usually around 14.

The highlights on your subject may be slightly blown out. That's usually the case. Once you push OK, you can add a layer mask and (using a low opacity soft, round brush) get rid of the extra light.

Another subtle change, but it can make a huge difference if your subject is very  poorly lit. If you skipped the Lighting Effects portion this time, always keep it in mind.
You guessed it-- make a stamp.

Reduce the size of your soft, round brush so that it will fit inside your subject's eye without going too far over the corners. Then lower the opacity to an extremely small number (depending on how well-lit your photo already is, this can range from 2% to 30%) and change the mode to Vivid Light. You may have to undo a few times before you find the opacity that works for you.

Brush over the whites of your subject's eyes with your brush color set to white. I normally only do the bottom 2/3 of the whites of the eyes so as to keep the shadows from the top lids.

Reduce the brush size even more so that it only fits into the iris (not the pupil). Brush over the areas you really want to stand out more. You may have to do this a few times to get the dramatic look you want.

You may have to make the brush even smaller now. Notice that now the naturally dark rings around the iris are now lightened up a bit too much. Change your brush color to black, lower your opacity to something between 1% and 4% (depending on how light the eyes are), and brush ONLY the dark rings around the irises. DO NOT darken the pupils or else your subject's eyes will look spooky and way too unreal.

Now give your full image a good, hard look. If the eyes look freakish and animalistic, lower the opacity of your eye-edit layer to taste. Brown eyes are particularly difficult.

Notice that the eyes are now brighter and more visible than before. If you want, sharpen the iris and the edges of the eyelids where the lashes are so that the eyes look clearer. They are usually the main focus of the photo, after all.

Your portrait is finished. How'd it turn out? Did you do anything extra afterward? Feel free to share! I'd love to see your tricks and outcomes. :D